Enough and more than enough has been said about painting. It may be suitable to append
to these remarks something about the plastic art. It was through the service of that same
earth that modeling portraits from clay was first invented by Butades, a potter from Sycion,
at Corinth. He did this owing to his daughter, who was in love with a young man; and
she, when he was going abroad, drew in outline on the wall the shadow of his face thrown
by the lamp. Her father pressed clay on this and made a relief, which he hardened by
exposure to fire with the rest of his pottery; and it is said that this likeness was preserved
in the shrine of the Nymphs.
– Pliny de Oudere (Naturalis Historia, Boek XXXV, hoofdstuk 15)
Optica
Eclips
Rene Margritte – Not to Be Reproduced
Henry Fox Talbot – Fotogram
Grot in Chauvet, handen met pigment er om heen geblazen
Jan Saenredam – Plato’s Grot
Jean-Baptiste Regnault – The Origin of Painting
Karl Friedrich Schinkel – Origin of Painting
Joseph Benoit Suvee – The Origin of Drawing (uitsnede)
Etienne de Silhouette
Kara Walker
Daan van Golden – Mozart – 30x40cm Olieverf en potlood op canvas
Henry Bursill
Henry Bursill
Henry Bursill
Wayang Purwa
Nosferatu
Charles Henry Bennett
Charles Henry Bennett
Charles Henry Bennett
Henri Matisse – La perruche et la sirene
Daan van Golden – Study HM
Daan van Golden – Study HM
Max Ernst – Jenseits der Malerei
Samuel Van Hoogstraten – De Schaduw Dans
Camera Obscura
Albrecht Durer
Marcel Duchamp – Het Grote Glas
Marcel Broodthaers – Signature
Marcel Broodthaers – Une Seconde de l’Eternite
Joëlle Tuerlinckx – Un Ensemble Autour de MUR
Henry Fox Talbot – Eerste fotonegatief
Kazimir Malevich – Suprematisch zwart vlak
Ad Reinhardt – Abstract Painting no 5
Alberto Giacometti – Invisible Object
Gerelateerd
Mooie collage!
@Henkjan, Dank 🙂